Digital Cinema Package Archives
We archive all of our 35mm and 16mm prints as Digital Cinema Packages (DCPs), using only the original color information and the best available film prints. These archives are not digitally enhanced, ensuring the authentic film look is preserved. By storing them as DCPs, we maintain the cinematic quality while making them accessible for screening in digital-only theaters. All transfers have been scanned on our custom HC-17 Scanner built exclusively to capture to most accurate film to digital process.
These films are exclusively available to licensed theaters and cinemas.
To schedule a screening, programmers must submit a request via email. All screenings are subject to approval by the rights holder, and in some cases, by the filmmakers or producers.
Below is a list of scanned films available as Digital Cinema Packages (DCPs). Sourced directly from its original 35mm print to help preserve the film as a piece of cinema history. Each print is stored on a CRU drive & copy protected. All prints must be sent via fed overnight - three day shipping.
Digital Cinema Package // 35mm Film Scans // Fall Line Up
Deep Red (35mm 4K Film Scan) Scope
Print Source - Eastman
Sound Source - Mono
Celebrate the 50th anniversary of Deep Red, Dario Argento’s masterwork of suspense and style. Widely regarded as one of the greatest horror films ever made, this version is the original theatrical cut featuring the iconic Goblin score.
Sourced directly from my personal 35mm archive, this print is on Eastman stock—but the color remains immaculate. The scan was taken straight from the original print, preserving every detail in stunning quality.
Experience Deep Red the way it was meant to be seen: uncut, on film, and with all the vivid terror intact.
Possession (35mm 6K Scan) (US Theatrical Cut)
Print source - FUJI
Sound Source - Mono
Art house horror at its most haunting. This is the ultra-rare American Cut of The Possession — a long-lost 90-minute version seldom seen and nearly impossible to find.
Sourced from an incredibly scarce 35mm print, this version sheds new light on the film’s unnerving tone and structure. The rarity alone makes it a must-see, but the real revelation is in the experience: grain, color, and sound that prove why certain films can only truly be felt on film.
This is The Possession as it was never meant to disappear.
Exorcist 2 : The Heretic (35mm 6K Scan) (US Theatrical Cut)
Print Source - Eastman
Sound Source - Mono
Long maligned, often misunderstood — Exorcist II has been called one of the worst sequels ever made. But perhaps it’s time this fever dream of a film gets its flowers.
Rarely screened and growing more obscure with each passing year, this 35mm print offers a rare chance to re-evaluate a bold, bizarre, and utterly singular vision. Whether you love it or loathe it, Exorcist II leaves an impression — and in a darkened cinema, that impression hits even harder.
Do not miss this one-night-only screening. It’s time to witness The Heretic the way it was meant to be experienced: loud, strange, and on film.
Manhunter (35mm 6K Scan) (Theatrical Cut)
Print Source - Technicolor Rome
Sound - Mono
Michael Mann’s Manhunter — the stylish, hypnotic precursor to Silence of the Lambs — returns in a stunning new 6K scan taken directly from a Technicolor Rome 35mm print.
This brand-new transfer captures the film’s vivid neon palette, razor-sharp compositions, and haunting atmosphere like never before. The result is nothing short of breathtaking. You’ve never seen Manhunter look this good — and likely never will again on the big screen.
A definitive reintroduction to a visionary crime thriller.
Night of the Comet (35mm 6K Scan)
Print Source - Eastman
Sound - Mono
A dazzling 1980s cult horror gem, Night of the Comet has never looked this good. This gorgeous 35mm print — struck on AGFA stock — bursts with vibrant color and retro charm, preserving the film’s unique mix of sci-fi, apocalypse, and Valley Girl vibes in stunning detail.
Rarely screened and impossible to replicate digitally, this print is a true time capsule. Don’t miss your chance to experience one of the decade’s most stylish genre hybrids the way it was meant to be seen: on celluloid, under the glow of a dying world.
(Exclusive engagement for the fall line up (Sept 1st - Oct 31st)
PLEASE NOTE - All screenings must be at licensed cinemas & approved by studio. . No private screenings & only available on CRU drives.
IMPORTANT - This is non-profit we do not charge for any prints. Shipping must be paid by the programmer or cinema. Once shown the programmer must ship the CRU Drive back.
Please email - Peter.Aldanmaz@gmail.com